Tag Archives: Norbert Nußbaum

MODELLING MEDIEVAL VAULTS SYMPOSIUM – ABSTRACTS AND PROGRAMME

The final programme for the modelling medieval vaults symposium at the University of Liverpool in London on Thursday 14th July is now available here.

A list of the presentation abstracts are available via the following link.

If you are yet to book your place for the symposium, please do this through Eventbrite.

We are very much looking forward to seeing you there!

Bauer Lauterbach Website

As part of the upcoming Modelling Medieval Vaults symposium at the University of Liverpool in London, Thomas Bauer and Jörg Lauterbach will be presenting their investigations of Benedikt Ried’s deconstructive vaults at Prague Castle with Norbert Nußbaum.

Thomas and Jörg have a website of their work, where they specialise in stone historical reconstructions. The site contains a link showing 360 ° panoramas of timber reconstructions of the winding rib vaulted ceiling of the chapel in the Royal Palace of Dresden. The panoramas can be explored online, where you can rotate and zoom to investigate them further.

We are very much looking forward to hearing more about Thomas, Jörg and Norbert’s research at the symposium in July.

Modelling Medieval Vaults Symposium – booking now open

Modelling Medieval Vaults symposium (UoL in London, 14 July 2016, 9:30am—5:00pm)

The University of Liverpool in London, Finsbury Square—Seminar Room 4

Organised by Dr Alex Buchanan and Dr Nick Webb

Tickets can be booked through Eventbrite

Keynote speakers

Professor Santiago Huerta – Technical University of Madrid

Professor Norbert Nußbaum – University of Cologne, with Thomas Bauer and Jörg Lauterbach – Architects and engineers for historic reconstructions, Dresden

Assistant Professor Benjamin Ibarra Sevilla – The University of Texas at Austin

Digital processes

Speakers include:

Dr Danilo Di Mascio – Northumbria University

Dr Nick Webb – University of Liverpool

Dr Rosana Guerra and Dr Paula Fuentes – Technical University of Madrid

Weiyi Pei and Lui Tam – KU Leuven

New questions in 14th-century vaulting

Speakers include:

Dr Alex Buchanan – University of Liverpool

Andrew Budge – Birkbeck College, University of London

The use of digital surveying and analysis techniques, such as laser scanning, photogrammetry, 3D reconstructions or reverse engineering offers the opportunity to re-examine historic works of architecture.

Digital analysis has enabled new research into design processes, construction methods, structural engineering, building archaeology and relationships between buildings. Recent research on Continental European and Central American architecture has established the significance of these techniques, however, as yet there has been little exploitation of digital technologies in the context of medieval architecture in the British Isles. This is despite international recognition of the importance of thirteenth and fourteenth-century English vault design to the history of Gothic architecture in an international context.

The aims of the present symposium are to present new research in this emerging field in order to establish appropriate methodologies using digital tools and identify significant questions for future research in the area.

The symposium will be relevant to anyone with an interest in:

  • Medieval architecture
  • Three-dimensional digital methodologies
  • Digital techniques used for the analysis of historic works of architecture

Symposium cost: £40 for attendees and £25 for students/speakers. Free for student attendees.

Modelling Vaults at the University of York

On Monday 1 Feb Nick and Alex went to the University of York to an event organised by Professor Tim Ayers, which brought together three leading experts on European late Gothic to discuss issues of vaulting, specifically international transfer of ideas and the design processes involved. The opening seminar was led by Paul Crossley, Professor Emeritus of the Courtauld Institute and Dr Zoë Opačić of Birkbeck College, offering a reflection on Professor Crossley’s work on late Gothic in Eastern Europe. It was encouraging to hear one of our case studies, Wells Cathedral, described as a clear influence on the work of Peter Parler in Prague Cathedral and discussion of Lincoln Cathedral’s tierceron vaults as an apparent influence on Polish examples of a similar form, for example the Cistercian church of Pelplin. We’ve already identified Lincoln’s nave as an influence on the vaults we’ve scanned at Chester, which share the feature of a ridge rib which does not extend to the side walls. Stuart Harrison was also in the audience and keen to share with us his discoveries about the plan of the now-lost east end of Lincoln Cathedral, which will be published in a forthcoming issue of the Journal of the British Archaeological Association. We can’t wait!

Next, Professor Norbert Nußbaum from the University of Cologne gave a lecture entitled ‘Benedikt Ried’s Vaults in Prague Castle and the question of Formative Inventiveness’. Professor Nußbaum is co-author with Sabine Lepsky of Das Gotische Gewölbe (Darmstadt, 1999), a foundational text for the study of Gothic vaulting. Using a series of digital models, Professor Nußbaum showed how the seemingly chaotic designs of the Rider Staircase and the Chancery involved a series of geometrical manipulations based on a two-dimensional plan which could be shifted sideways across a grid or rotated to deconstruct its original logic. He argued that these feats of architectural ingenuity could be compared with the contemporary phenomenon of the ‘Wunderkammer’ (cabinet of curiosities) and were intended to provoke the question ‘How did they do that?’ These were highly sophisticated designs demonstrating the learning of an architect sufficiently confident in his knowledge of the rules to be able to break them – but in contrast to the architects of the Italian Renaissance, the ideas were presented in built form rather than in a textual treatise.

We came away very excited by both the presentation and by the ideas involved, particularly the methodology used to discover the results and the use of colour in the digital models to make clear the hypothetical process enabling the vault design to be accomplished. We saw some clear parallels between the geometries discussed and the vaults we have scanned, but also some significant differences which we look forward to exploring further.

Further information about the event is available here: https://www.york.ac.uk/history-of-art/news-and-events/events/2016/modelling-vaults/.